This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

Start with a single shape. Repeat it in some way - translation, reflection over a line, rotation around a point - and you have created symmetry. Symmetry is a fundamental phenomenon in art, science, and nature that has been captured, described, and analyzed using mathematical concepts for a long time. Inspired by the geometric intuition of Bill Thurston and empowered by his own...(展开全部)

Start with a single shape. Repeat it in some way - translation, reflection over a line, rotation around a point - and you have created symmetry. Symmetry is a fundamental phenomenon in art, science, and nature that has been captured, described, and analyzed using mathematical concepts for a long time. Inspired by the geometric intuition of Bill Thurston and empowered by his own...(展开全部)

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

"The Cinema of Eisenstein" is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrile, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comp...(展开全部)

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

Sergei Eisenstein is arguably the most important single figure in the history of movies. He was certainly the most versatile. The director of the masterpieces Battleship Potemkin and Alexander Nevsky, Eisenstein also wrote ground-breaking essays on film art and taught classes on motion picture production. In this thoughtful, clear, and beautifully organized book, David Bordwell...(展开全部)

The diversity of contemporary London is extraordinary, and begs to be better understood. Never before have so many people from such diverse backgrounds been free to mix and not to mix in close proximity to each other. But increasingly people's lives take place behind the closed doors of private houses. How can we gain an insight into what those lives are like today? Not televis...(展开全部)

The seminal Epicurean text, in a brilliant new translation The Epicureans of ancient Rome discarded the ideas of life after death and of an interventionist God in favor of the tactile pleasures of nature. In The Nature of Things , Lucretius celebrates with wit and sharp perception the extraordinary breadth of the Epicurean belief system, ranging from the indestructibility ...(展开全部)